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A Midsummer Night's Dream

Audiobook
1 of 1 copy available
1 of 1 copy available

Shakespeare's most imaginative and merry play is set in an enchanted wood amidst fairies and sprites.

When Oberon, King of the Fairies, uses his magic upon four runaway lovers in a midsummer wood outside Athens, chaos ensues. Who really loves whom? Meanwhile, a band of well-meaning but bungling local actors have their rehearsal sabotaged by the mischievous Puck, who bewitches their leader, Bottom, and Titania, the Fairy Queen. The result is a lively and anarchic comedy which can only be resolved by an elaborate disentangling of spells.

Hermia is played by Amanda Root, Oberon by David Harewood, and Bottom by Roy Hudd.

ACT IScene 1. In Athens, preparations are underway for the wedding of Duke Theseus to Hippolyta, Queen of the Amazons. An angry father, Egeus, comes to the ducal palace and accuses Lysander of bewitching his daughter Hermia, even though she is already betrothed to Demetrius. Hermia confesses her love for Lysander, and Theseus tells her that according to the law, she must either die or enter a nunnery if she refuses to marry the man chosen by her father. He gives her until the new moon to decide. Hermia and Lysander decide to run away; they agree to meet the following night in a wood outside the city. They tell Helena, Hermia's childhood friend, of their plan; she, however, is in love with Demetrius, who has rejected her for Hermia, and she hopes to regain his favor by telling him of the lovers' intentions.Scene 2. A group of Athenian workmen, "rude mechanicals," are preparing an entertainment to be performed at the Duke's wedding. They have chosen "the most lamentable comedy and most cruel death of Pyramus and Thisby."

ACT IIScene 1. In a wood near Athens, Oberon and Titania, King and Queen of the Fairies, argue over a changeling boy. Titania has adopted him, but Oberon wants him for an attendant. When Titania refuses to give in, Oberon summons his servant, the mischievous sprite Puck. Oberon instructs him to find an enchanted flower, the juice of which, when laid on a sleeper's eyelid, will cause him or her to fall in love with the first creature seen on awaking. He thus hopes to force her into giving him the boy. While Puck is gone, Oberon observes Helena and Demetrius, who have followed Hermia and Lysander into the wood. Demetrius rejects Helena peremptorily. When Puck returns with the flower, Oberon tells him to lay some of its juice on the eye of the "disdainful youth," whom he will know by his Athenian clothes.Scene 2. Oberon squeezes the juice of the magic flower on Titania's eyelids. Lysander and Helena fall asleep nearby. Puck mistakes Lysander for Demetrius and drops the juice on his eye. Demetrius and Helena arrive and Lysander awakes, promptly falling in love with Helena. Hermia wakes to find herself left alone.

ACT IIIScene 1. Near where Titania lies sleeping, the "rude mechanicals" rehearse their play. Puck, who has been watching the rehearsal with amusement, places the head of an ass on Bottom's shoulders. His fellow actors run away terrified. Titania awakes and falls instantly in love with Bottom.Scene 2. Oberon is delighted at what has happened to Titania, but angered when he realizes that the sprite has mistaken Lysander for Demetrius. To right the error, he lays juice on the lids of the sleeping Demetrius. When the young man wakes, the first person he sees is Helena, and he duly falls in love with her. Helena, now beloved of both the youths, is certain they are teasing her cruelly. Hermia is distraught when Lysander rejects her and accuses Helena of stealing her beloved. Lysander and Demetrius leave to settle their quarrel over Helena by combat, but Oberon orders Puck to send them to sleep. Puck then lays an...

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    • Publisher's Weekly

      October 2, 1996
      Coville follows up his version of The Tempest (see p. 84) with a retelling of another of Shakespeare's most popular plays. The fundamental story of magic, mischief and the trials and tribulations of love is preserved through well-chosen use of the original language and Coville's heady prose ("The queen... saw the ass-headed monstrosity through magic-drenched eyes"). Major plot lines are clearly and concisely rendered, but it is the portrayal of the various levels of humor-from Bottom's buffoonery to Puck's gleeful magic-making-that really captures the essence of the play. Nolan's (Dinosaur Dream) sumptuous, painterly watercolors highlight the theatrical setting of the spellbound wood. Gnarled, mossy trees provide the backdrop for a cast of unusually youthful lovers, gossamer-winged fairies (which nod at Rackham's famous interpretations) and a truly puckish Puck. A first-rate entree to the Bard. Ages 7-up.

    • AudioFile Magazine
      A narrator helps compress the action of Shakespeare's charming comedy into less than an hour, telling us what's occurring and then letting the characters give us their better-known scenes. The program, "from the archives of CBC Radio," has a copyright of 2003, but judging by the acting (Hermia reminds one more of Virginia Mayo than Judi Dench) and music (composed for this program, and quite enjoyable), it was recorded in the early '50s at the latest. Still, the acting runs from adequate to excellent, and the narration is polished; the whole will make a pleasant, if abbreviated, version of the play for those who find its age quaint rather than off-putting. W.M. (c) AudioFile 2005, Portland, Maine
    • AudioFile Magazine
      A MIDSUMMER NIGHT'S DREAM is a difficult play to follow in audio only. Many of the scenes, especially those involving Bottom and his motley troupe of actors, rely heavily on their visual elements. This Arkangel production does include some interesting voices, however. Most notably, Oberon and Titania are played by black actors David Harewood and Adjoa Andoh, whose accents--Jamaican and West African, respectively--give a refreshing texture to the fairy scenes. It's too bad some of those same scenes are undone by lame echo effects that are not only cloying, but at times make the lines difficult to hear. D.B. (c) AudioFile 2005, Portland, Maine
    • AudioFile Magazine
      There are few puckish pleasures greater than listening to one of the Bard's great performances. Paul Scofield is easy to listen to in his portrayal of the fairy prince Oberon, his being one of the greatest living classical voices in English. Yet his performance is missing the inspiration one would expect. Likewise, none of the other performers on this unabridged recording are particularly inspired. Pedestrian readings and background noise make this a serviceable but disappointing trip into Shakespeare's romantic dreamscape. S.E.S. (c) AudioFile 2000, Portland, Maine
    • AudioFile Magazine
      This newest version of Shakespeare's midsummer romp is a most wonderful addition. Uncut and fully dramatized, it transports us deftly from the wedding of Duke Theseus and Hippolyta, Queen of the Amazons, into the bewildering confusions of the night forest, where magic and mischief abound. The forest where Hermia and Lysander, Helena and Demetrius finally are betrothed bewitches us with its array of night sounds, and the fairy world is easily identified by the soft electronic echo in the voices of Oberon, Titania and Puck. But what really distinguishes Arkangel's production is the masterful performances of the whole cast. Maybe we have, as Puck would have us believe, "but slumb'red here/while these visions did appear." P.E.F. Winner of AUDIOFILE Earphones Award (c)AudioFile, Portland, Maine

Formats

  • OverDrive Listen audiobook

Languages

  • English

Levels

  • Lexile® Measure:800
  • Text Difficulty:3-4

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